This piece incorporates various live sampling methods and is to be performed by a cellist and a separate performer with a laptop (or tapes and a stand-alone live sampling device). The piece has a meditative quality, regularly pausing for thought as natural and artificial reverbs are allowed to die away. The performers have this in mind as they approach the time-space notation, which allows them to respond to each other, shortening or extending the bars as required by the venue and atmosphere. This piece was originally written for a performance at the The Monk Club on 11th April 2013 in Richmond by Alice Purton (Cello) and was subsequently recorded with Lily Thornton (Cello) and myself (Electronics).
Please contact me to obtain the score, MaxMSP patch and tape parts.
